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Causeway bay

Sze Tsung Leong (American and British, b. 1970)
Causeway Bay 1, Hong Kong, from Cities, 2004

Color coupler print, 2004
31 1/8” x 39 1/4” (79 x 100 cm)

Hans Aarsman

Hans Aarsman (Dutch, b. 1951)
Sloterdijk, 1992

Dye coupler print
13 ½” x 19 ¾” (34 x 50 cm)

Untitled twilight

Gregory Crewdson (American, b. 1962)
Untitled, from Twilight series, 1998-2002

Laser direct color coupler print
47 1/2” X 59 3/8” (120.65 x 150.81 cm)

Untitled rapture

Shirin Neshat (Iranian, b. 1957)
Untitled, from “Rapture” series, 1999

Gelatin silver print
14 5/8 x 22 in. (51 x 61 cm)

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EXHIBITION ON VIEW

Shared Space: A New Era, Photographs from the Bank of America Collection

Shared Space: A New Era, Photographs from the Bank of America Collection acts as a time capsule of our era, traversing our social landscape from 1987 to the present through photographs and videos and other time-based media curated entirely from the Bank of America Collection. In 1987, Ronald Reagan and Mikhail Gorbachev signed the Intermediate-Range Nuclear Forces Treaty (INF), and that year serves as this exhibition’s point of departure. Along with the fall of the Berlin Wall in 1989 and the attendant collapse of the Soviet Union, these events marked the end of the Cold War and ushered in a new era of globalization. At the same time, the Internet was on the verge of widespread usage and would be commercialized in 1995. Through Shared Space, we see artists as they grapple with the complexities of these revolutionary times.

The artists included in this exhibition hail from nine countries, including the United States, Canada, the Czech Republic, Germany, the Netherlands, India, Iran, Italy, Mexico and Switzerland. Each artist interprets this period of transition from his or her unique perspective. Some of the artists document derelict buildings that once reflected modernist utopian ideals but, now neglected, reveal the failure of those dreams, as seen in the works of Thomas Ruff and Günther Förg. Förg’s photograph Villa Malaparte, though documenting a building that is “out of time,” offers us the promise of something better. His images act as a segue from the Cold War into the new era of globalization, imbued with a borderless, egalitarian vision as it looks beyond the structure and out into the openness.

Many of the artists, including Hans Aarsman, Wout Berger and Olivo Barbieri, document vast landscapes shot from a great distance and photographed from above, as if observed from an aircraft, hovering over a new world. Masses of people are caught congregating in public spaces as far flung as Vietnam, the Netherlands and Los Angeles. These pictures signify a move from the local or specific to the global. Together, these international landscapes depict our global village, reminding us simultaneously of our similarities and differences.

Ken Fandell and Ben Gest employ new digital media to express some of the implications of our fast-paced global, electronic age. Fandell photographed the sky above his home each day for eight months and then blended the photographs together digitally to create a new, virtual sky – one in which time and space are collapsed. His work illustrates our ability to be in several places and times at once via the World Wide Web. For Gest, the space is a domestic one in which family members, as depicted in Jessica & Samantha, are in very close proximity but appear completely detached from one another. The painful disconnect in Gest’s work echoes the sentiment that our global village is replete with difference and distance.

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EXHIBITION ON VIEW

Shared Space: A New Era, Photographs from the Bank of America Collection

Shared Space: A New Era, Photographs from the Bank of America Collection acts as a time capsule of our era, traversing our social landscape from 1987 to the present through photographs and videos and other time-based media curated entirely from the Bank of America Collection. In 1987, Ronald Reagan and Mikhail Gorbachev signed the Intermediate-Range Nuclear Forces Treaty (INF), and that year serves as this exhibition’s point of departure. Along with the fall of the Berlin Wall in 1989 and the attendant collapse of the Soviet Union, these events marked the end of the Cold War and ushered in a new era of globalization. At the same time, the Internet was on the verge of widespread usage and would be commercialized in 1995. Through Shared Space, we see artists as they grapple with the complexities of these revolutionary times.

The artists included in this exhibition hail from nine countries, including the United States, Canada, the Czech Republic, Germany, the Netherlands, India, Iran, Italy, Mexico and Switzerland. Each artist interprets this period of transition from his or her unique perspective. Some of the artists document derelict buildings that once reflected modernist utopian ideals but, now neglected, reveal the failure of those dreams, as seen in the works of Thomas Ruff and Günther Förg. Förg’s photograph Villa Malaparte, though documenting a building that is “out of time,” offers us the promise of something better. His images act as a segue from the Cold War into the new era of globalization, imbued with a borderless, egalitarian vision as it looks beyond the structure and out into the openness.

Many of the artists, including Hans Aarsman, Wout Berger and Olivo Barbieri, document vast landscapes shot from a great distance and photographed from above, as if observed from an aircraft, hovering over a new world. Masses of people are caught congregating in public spaces as far flung as Vietnam, the Netherlands and Los Angeles. These pictures signify a move from the local or specific to the global. Together, these international landscapes depict our global village, reminding us simultaneously of our similarities and differences.

Ken Fandell and Ben Gest employ new digital media to express some of the implications of our fast-paced global, electronic age. Fandell photographed the sky above his home each day for eight months and then blended the photographs together digitally to create a new, virtual sky – one in which time and space are collapsed. His work illustrates our ability to be in several places and times at once via the World Wide Web. For Gest, the space is a domestic one in which family members, as depicted in Jessica & Samantha, are in very close proximity but appear completely detached from one another. The painful disconnect in Gest’s work echoes the sentiment that our global village is replete with difference and distance.

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Photo credits: Causeway Bay 1, Hong Kong, from Cities, © Sze Tsung Leong, Courtesy Yossi Milo Gallery, New York; Untitled, from “Rapture” series, ©Shirin Neshat.
Untitled from Twilight series, © Gregory Crewdson. Courtesy Gagosian Gallery; Sloterdijk © Hans Aarsman

Shared Space: A New Era, Photographs from the Bank of America Collection

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